Creative Community: Des Moines Gay Men's Chorus
Catalyzing change through song and community
This piece was originally written for CultureALL’s blog.
The ultimate goal of CultureALL is to elevate individuals' behaviors and attitudes to a higher level of acceptance and collaboration for the benefit of our region. We do this through authentic, multicultural experiences that lead to a greater appreciation of diversity. We also work with businesses and corporations on their DEI planning to promote inclusivity within the workplace. If you are in need of cultural education or support in your DEI journey, please contact us a Explore@CultureALL.org.
When the Des Moines Men’s Chorus reformed in 2001, they added “Gay” to the title to become the Des Moines Gay Men’s Chorus (DMGMC).
It’s hard to fathom how recently using the word “gay” so freely was considered taboo.
“Gay wasn’t really a thing you could say in a name. It was pretty groundbreaking,” said DMGMC Artistic Director and Conductor Eric Shepard.
But from the very beginning, DMGMC has dedicated themselves to using their collective voice to shine a bright light on the LGBTQ+ community in Des Moines. There’s nothing taboo around being who you are; it’s loudly and proudly celebrated, through “music that matters” as stated in DMGMC’s purpose.
“You can’t be what you don’t see,” Eric said. “We want to be that beacon of hope for the next generation.”
Making Voices Heard
DMGMC is a chorus of 80+ singers of all genders and sexualities who sing in the tenor and bass ranges. You don’t have to audition to join.
“Singing a song allows us to be a beacon of hope for the unheard voices of the next generation. We’re showing up for the people that need us.”
The only requirement? A commitment to cultivating inclusion for all.
“Every single one of us has felt excluded. Nobody wants to feel that way and nobody deserves to feel that way,” Eric said. “No matter who you are, where you’re from, who you love—if you sing in the tenor or bass range, you’re welcome to join us.”
The group’s vision is “a world where unconditional acceptance is woven into our common humanity.” Eric is intentional about infusing every moment of rehearsal and performance with the chance to show someone else how loved and valued they are. It’s apparent in the camaraderie built between performers as they stand next to someone they’ve never met before at practice, or join the 20+-year tradition of heading to The Blazing Saddle after.
Eric believes music helps us say all the things words don’t allow. He previously taught music education for eight years before leaving to pursue work as a Diversity, Equity, and Inclusion practitioner. He joined DMGMC’s board of directors right around the time former Artistic Director Dr. Rebecca Gruber stepped down.
He guest conducted the chorus’s 20th anniversary concert, falling back in love with teaching music and throwing his name in the ring to become the new Artistic Director.
He’s been able to combine his musical expertise with his skillset as a DEI practitioner to build a safe haven for LGBTQ+ folks and their allies.
“When someone tells me about a change they’ve gone through because of the space we’ve created? It’s pretty amazing,” Eric says.
He believes that change is catalyzed by the conversations started through song. Music connects the hearts and the minds, and triggers conversations and reflections on how we can better include everyone.
And when the young LGBTQ+ folks in the audience see a group of people like them using their voice to share a message and shine a light, they’re reminded that they, too, will have a place to feel welcomed and included. They’re shown a future where they don’t have to be quiet about who they are and who they love.
“Singing a song allows us to be a beacon of hope for the unheard voices of the next generation,” Eric said. “We’re showing up for the people that need us.”
Sing Gay Every Day
As Artistic Director, Eric chooses the music for the season with DMGMC’s values clear in his mind: to create musical excellence, cultivate inclusion, champion our common humanity, and care for one another.
Their work is part of a longstanding tradition of LGBTQ+ choruses. Eric cites the San Francisco Gay Men’s Chorus, widely considered the first gay chorus in the world, as inspiration for how choruses like these can move the civil rights movement in the LGBTQ+ space forward.
The chorus typically performs three concerts a year. They partner with Hoyt Sherman Place to perform a holiday concert in December. They take a mission-driven approach to their March concert, focusing on LGBTQ+ activism. And June’s concert is all about pride.
“In June, it’s our ‘say gay every day, rainbows, all the glitter’ show,” Eric said.
Eric plans each concert around an idea or a theme related to the LGBTQ+ community. The last holiday concert incorporated individual LGBTQ+ storytellers. This month, they’re debuting two pieces they commissioned from LGBTQ+ composers.
They recently performed a concert of Kelly Clarkson songs titled “We All Need an Idol,” giving a nod to the importance of role models in the LGBTQ+ community. It landed them the opportunity to be featured on the Kelly Clarkson Show.
For Eric and the DMGMC members, that visibility is key to showing people what is possible for the LGBTQ+ community and their allies in Des Moines—space to be free to be themselves and know they’ll be wholly loved and accepted.
“We stand as a visual representation of the old adage that ‘it gets better,’” Eric said. “It really does get better. Is life easy? Gosh, no. It’s a journey. But when we stand strong together, and we be the change we’ve been waiting for, great things can happen.”
The Midwest Creative is a proud member of the Iowa Writers Collaborative. Please consider a subscription to my colleagues’ work to support storytelling across the state of Iowa. All of these authors provide content for free, with paid subscription options. Pick one or more, and help sustain this movement.
Terrific article.