An Evening with Carol Roh Spaulding
Join CultureALL to celebrate her new release at Storyhouse Bookpub
Dear Midwest Creative Subscribers:
It’s been a minute!
Life seems to have calmed down a bit lately — but only a bit. Some of the post-wedding activities are still being worked on (writing thank yous, selling decorations, building the 17 bookshelves I for some reason put on my registry), and digging deeper into my role at CultureALL has left me with minimal brain power at the end of the day. That’s not a complaint in the slightest. I adore my job, but I’ve just been struggling to muster up the energy to write even more once I get home.
But alas, I have not given up on this passion project of mine. I have the next three weeks of articles tee’d up, and I’m ready to ride that momentum into even more content in the future. I know you’ve missed me in your inbox, so I’m back!
I have an opportunity for paid subscribers to tell you about.
The Iowa Writers Collaborative is hosting a holiday party on Thursday, December 7th in Des Moines at the Witmer House. The Witmer House was once Iowa’s governor’s mansion and headquarters of the Iowa Girls High School Athletic Union. It’s a great opportunity to immerse yourself in Iowa history and meet writers from around our state. You can register here.
Now, please enjoy this piece I wrote about an upcoming event we are hosting at CultureALL. Carol Roh Spaulding is a local writer with an amazing collection out. We are excited for this event!
Thank you all so much for sticking with me as I figure this whole writer life thing out. It’s appreciated much more than you could imagine.
With love,
Macey
For Carol Roh Spaulding, reading is a vital form of understanding culture. The act offers insight into other experiences different from our own. It expands our perspectives. It helps us travel the world as we sit in place.
Join CultureALL to celebrate Carol's new release, Waiting for Mr. Kim and Other Stories, at Storyhouse Bookpub on Friday, November 10th. Carol will read from her collection, which explores the perspective of living at the intersection of multiple identities. These linked stories explore the shifting definitions of what it means to be an American and the dynamics of a family across generations.
Enjoy drinks and dessert in Storyhouse before heading upstairs to Raygun to hear Carol read and discuss her work. Purchase your tickets for the event here.
Carol shared with CultureALL her ideas on writing, literature, and the role of culture in her life as a writer.
This interview has been lightly edited and condensed.
Tell us about yourself. Where are you from? What has your professional career been like? What drew you to writing?
I’m a California native, which I mention because my book is set in two significant places in California – the Bay Area, where I was born, and the Central Valley, where I was raised. I’ve been a writer since 8th grade, when my teacher, Mr. Gregory, encouraged me to pursue writing. I wrote many stories throughout high school and my undergraduate years. But it wasn’t until I came to Iowa for graduate school in the 1990s that I began writing the stories from my Asian American heritage that resulted in this book.
What was the motivation or inspiration for writing Waiting for Mr. Kim and Other Stories?
These stories are inspired by my Korean American family heritage, which I knew little about. My mother didn’t tell me a lot about her past. I got the sense that she didn’t want to talk much about it. But she used to give me tidbits of information about her family and her experiences growing up, and it’s those bits I imagined into the stories of this collection. It was a way of writing myself into a relationship with my Korean American heritage.
What do you hope readers get from reading this collection?
Sometimes it may seem like reading is only for escape from the world’s troubles, which can feel overwhelming. But I write stories to help create understanding across cultures and generations. In this collection, you see families struggling to understand one another, navigating silences, identity, Americanness, and the backdrop of war and diaspora. These are domestic stories, though – they’re not epic; they don’t have that vast historic sweep some readers might expect. Instead, they move through the smaller moments and spaces that make up a life.
You've stated that you use the pen name Carol Roh Spaulding to blend your European and Korean roots. Why was that important to you as you established an identity as a writer?
It was these stories that originally helped me find my voice and purpose as a writer. My parents divorced when I was a young adult, so I took my mother’s family name, Roh, as part of my pen name in solidarity with her. I also wanted to understand her journey as the daughter of immigrants and the wife of a Caucasian man who raised her children in a mostly white suburban community in the 1970s.
How does your culture influence your writing, both in the sense of the content you write and how you live your life as a writer?
I don’t identify as an Asian American writer. In fact, I don’t see myself as claiming a culture or identity so much as actively and vocally resisting being named as Asian or white or even racially mixed. Recently, Sherman Alexie agreed in a response to a COLUMN I WROTE TITLED “ASIANISH” that multicultural categories have become mostly marketing concepts. Identity isn’t bad; in fact, it is necessary and unavoidable. But it can become calcified and serve as the basis for an “us” versus “them” mentality. I think people need constant practice in adjusting their self-concept, never allowing it to settle and always being willing to learn more. That is the “identity” I write from, which isn’t really an identity at all.
How do you incorporate the concept of culture into your teaching at Drake University?
I try to teach both writing and literary interpretation in such a way that students can recognize the significance of language and literature in shaping how we view ourselves and others. For example, in Waiting for Mr. Kim and Other Stories, you will see many different and even conflicting depictions and self-concepts of Asian American characters, much of it inflected by gender as well as race. I want to show the complexity because whole people are complex; they are not stereotypes. We can use writing to define, discover, and resist how we want to be seen and understood.
How do you think literature functions as a way to share one's culture with others? How does it function as a way to learn about other cultures?
I don’t think a writer’s job is to “share” one’s culture, as though culture is this thing an author represents and a reader consumes. That transaction may seem harmless, but it relies on fixed and essentialized notions of cultural identity that can be taken to extremes that we see in countless ways around us today. I hope my stories promote the kind of cultural learning that constantly makes us revise or rethink what we thought we knew. It’s not that we are all the same, but stories should continually introduce us to the full worth and humanity of those we might define as other.
Purchase your tickets for the event with Storyhouse Bookpub here.
This piece was originally published on CultureALL’s blog.
The ultimate goal of CultureALL is to elevate individuals' behaviors and attitudes to a higher level of acceptance and collaboration for the benefit of our region. We do this through authentic, multicultural experiences that lead to a greater appreciation of diversity. We also work with businesses and corporations on their DEI planning to promote inclusivity within the workplace. If you are in need of cultural education or support in your DEI journey, please contact us a Explore@CultureALL.org.
The Midwest Creative is a proud member of the Iowa Writers Collaborative. Please consider a subscription to my colleagues’ work to support storytelling across the state of Iowa. All of these authors provide content for free, with paid subscription options. Pick one or more, and help sustain this movement.
Thank you for the shout out, Macey! I loved your questions, and I'm looking forward to the event on Nov 10!